After The Lazarus Project finished I jumped back into Bristol to work on The Outlaws Series 3 as studio Art Director to maintain continuity with sets from Series 1 + 2 as we were adding to those sets as well as building a new set. Once the studio sets were done I then went back to surveying locations and drawing up elevations, including plugs such as windows, doors and radiator covers. This was my first official role as Art Director and my first time making proper location intentions and being in charge of location sets.